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51K views · 2K reactions | Raag - Bhimpalasi - Kaushiki Chakraborty - Live Performance at IFAASD Vocal - Kaushiki Chakraborty Tabla - Shri Sandip Ghosh Harmonium - Shri Kedar Naphade #kaushikichakraborty #indianclassicalmusic #raagbhimpalasi #liveperformance #sandiego #musicaljourney #soulfulmelodies | Kaushiki Chakraborty | Facebook

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Tutorial on Aroh Avroh singing in Raag Ang and also discussing the various Raag Angas related to the discussed Raagas separately. Usually we teach Aroh Avroh in straight forward upward downward movement, which in noway reveal the nature of the Raag. So I thought of creating some Raag Ang based Aroh Avroh using some main phrases and Nyaas swaras and temperament of the Raag. Practicing these Aroh Avroh could help portraying a better picture of the Raag. This video comprises of the Raag ang and Aro

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Raag Bhimpalasi Tutorial. Chalan followed by a Tintal bandish with notation. Origin of Raag has been described. Two concepts: 1> From Dhanashree ( Kafi thaat) Dhanashree has same Aroh Avroh like Bhimlalasi, only vadi is Pa and use of Re and Dha are short. Dhanashree highlights both Ma and Pa. 2> From Bheem ( Kafi thaat ) and Palasi - as per Agra Gharana. Bheem is similar to Bhimpalasi but without Re. Palasi is similar to Bhimpalasi but without Dha. Both Bheem and Palasi highlight Pa. Lyric from