Leigh Whannell opens up about cutting a poignant Wolf Man scene, exploring how Blake's mother tied to the film’s themes of illness, grief, and loss.

The Wolf Man director talks body horror, the joys of practical effects and the influence of Michael Haneke and Jonathan Glazer.

The writer and director of “The Invisible Man,” 21st-century style, is back with an interpretation of another Universal Pictures monster movie, “Wolf Man.”

Unfortunately for Universal/Blumhouse, it doesn't look like director Leigh Whannell is going to be able to repeat the success of his take on The Invisible

Wolf Man writer-director Leigh Whannell discusses his spin on another Universal monster, the most challenging scenes, wolf vision, and more.

The themes within “Wolf Man” are far blunter than “Invisible Man,” but it will be interesting to see if Whannell continues to use Universal’s monsters to tell another story of feminine trauma and resilience to create a trilogy of terror.

Australian creator of the Saw horror series talks about rebooting a werewolf classic and why he never thought Hollywood was his destiny

Leigh Whannell’s Wolf Man boasts some impressive filmmaking and fresh spins on werewolf lore, but its story lacks bite.

Wolf Man on Wolf Moon night? The ultimate scare! Let your imagination loose and embrace the thrill of the full moon.

When a close friend succumbed to motor neuron disease, Australian filmmaker Leigh Whannell channelled his grief into his latest movie.

“Wolf Man” then jumps ahead 30 years, to adult Blake (Christopher Abbott) out in a busy San Francisco enjoying daddy-daughter time with young Ginger (Matilda Firth). Like his father, he is very protective of his child, scolding her for not getting down from a construction structure she walks atop the moment he tells her to do so.