Originally created by Aaron Mark as a one-woman play, Empanada Loca, Mark created, wrote, and directed the original podcast and penned the pilot script. The series was also executive produced by ...
Performances in N.Y.C. Advertisement Supported by Recordings of Broadway musicals are often better than the shows they preserve. Here’s a ranking of last year’s crop, with samples and bonus tracks. By ...
On a hot Sunday afternoon, Pigott Theater was packed with an audience eager to watch a gruesome Victorian melodrama about murder and cannibalistic pies. Stanford Light Opera Company’s (SLOCo) ...
When "Sweeney Todd: The Demon Barber of Fleet Street" made its debut on a Broadway stage, the set was a 19 th-century iron foundry. The foundry came from Rhode Island, moved piece by piece to New York ...
The audience gasps the first time Sweeney Todd raises his blade in Theatre Under The Stars' production of Stephen Sondheim's masterpiece. Horror ripples like waves when Mrs. Lovett pulls human limbs ...
High among Stephen Sondheim’s achievements in writing music and lyrics are the diabolical skills on gleeful and gruesome display in “Sweeney Todd,” the blackest humor musical of all. The show’s full ...
Sweeney Todd (Miguel Ángel Vásquez) and Mrs. Lovett (Ashley Song) in Portland Center Stage's newest staging of "Sweeney Todd: The Demon Barber of Fleet Street." (Jingzi zhao) On a recent episode of ...
Editor’s note: This story contains mention of fake violence and gore. “Sweeney Todd: The Demon Barber of Fleet Street,” is a musical full of gore, revenge and madness. Presented with a world filled ...
APTOS — Cabrillo Stage’s summer play will feature scenes of murder, revenge and even cannibalism, accompanied by catchy songs that will stick in audiences’ heads for days, all set amid the dark and ...
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