“It was to embody the spiritual essence of the first film, but move forward into a fresh new world,” Gregson-Williams explains. In early talks with Scott, Gregson-Williams also knew he would have to ...
As soon as he was hired to write the score for Ridley Scott’s “Gladiator II,” Harry Gregson-Williams knew that he’d need to come to terms with the music Hans Zimmer had written for the original ...
Add Yahoo as a preferred source to see more of our stories on Google. Luckily, Scott wasn’t interested in a repeat of Zimmer’s iconic score but in new themes that would pay tribute to it at a few key ...
As soon as he was hired to write the score for Ridley Scott’s “Gladiator II,” Harry Gregson-Williams knew that he’d need to come to terms with the music Hans Zimmer had written for the original ...
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